Tom, Lori, and Jerzy entered the lab and stood on the landing, looking over the commotion. There was a hustle and bustle of frenetic activity as lab personnel moved from station to station, checking data, preparing modules, and entering critical information.
“Every time I come in here, I expect to see tables with bubbling test tubes and old, toothless women sweeping the floor,” Jerzy said.
Lori laughed. “Well, it would be hard to explain what bubbling test tubes have to do with this project, but I get your drift. We are kinda like Dr. Frankenstein with this whole thing.” Tom vaulted down the stairs and skipped to the control area on the opposite side of the room. He high-fived everyone he passed and crossed to an older, balding man with a semi-circle of gray hair around the fringe of his scalp. A short gray mustache covered most of his upper lip. The man had a slow gait caused mainly by forty straight hours on his feet. Tom hugged him.
“Bruce! This is it! I feel like tap dancing!”
“Well, I’ve put up with worse from you. We’re just running the final check-down now; almost complete. The data you just sent down is perfect.” Bruce had a New Jersey accent highlighted by a Yiddish lilt that caused his mustache to bounce when he spoke.
The retrofitting of the building was designed specifically for this project. Constructed like a sports arena with a high domed ceiling, the lab was ten thousand square feet open from wall to wall. Three levels encircled the room starting at the floor. Each subsequent level rose above the one below and contained a series of computer stations lined up like the NASA control room, collating, interpreting, or generating data. The entire room was connected, hardwired, and air-gapped to The Quint's central motherboard. The Quint was the fastest and most potent AI computer known to man and contained the most significant elements of learned behavior and artificial intelligence. More significantly, it could determine and pinpoint a specific moment in time.
In the main staging area, in the center of the room, was the masterpiece of the entire project - The Time Tube. The Time Tube was a four-story, transparent tube made from indestructible acrylic conducive to energy absorption. As energy swirled through the Time Tube, it created the power needed for time travel. It stood 18’ tall with an eight-foot diameter. A raised platform ran halfway around and had six steps that led up to a full-size door allowing access to the Tube.
The lab's roof was six stories high and supported a series of lighting instruments, air conditioning units, and safety mechanisms. Among the other things that lived in the ceiling was a series of tubing that wrapped around the room like a tornado and converged from the roof to the lab's centerpiece. This series of tubing was called the Cyclone. Air was pushed through the Cyclone at incredible speeds, producing centrifugal force. That energy transitioned to Euler acceleration, creating a variation in the angular velocity. Theoretically, this opens a window in time and allows the object to pass through.
After years of research, study, and failed experimentation, Tom finally understood that time is, in fact, parallel, meaning that time moves through us rather than us moving through time. In essence, time is an ever-evolving moment. We move from one plane to the next as we move forever forward. The wonder is that it is infinite, never-ending, so we will never reach the edge of time as time continues to build moment next to moment. Once Tom accepted that theory, the means of moving through time began to evolve.
With enough energy, we can freeze ourselves in a moment, thus staying still as time moves on. The challenge became moving through thousands of moments to move back in time, or more accurately, let a specific moment of the past catch up to you. It had taken Tom and his crew almost five years to reach this point. They believed they could generate enough energy to move back and forth within their time sphere to moments that have happened or will happen and return to their own designated moment and survive.
One of the most daunting challenges the team had to overcome when sending something through time was having the entire entity arrive in the same moment. Any portion of an entity that arrived a millisecond later than any other part of that entity would be split in two by the paradox of time. Using an optical lattice clock allowed the team to calculate to a precise moment. When coordinated with The Quint, the top or bottom, front or back, the side to side of any entity would arrive at the same exact moment in time so as not to be split apart.
Subsequently, above the main control area, against the back wall, was the read-out of an optical lattice clock, accurate to one second every 400 million years. It was this technology that allowed Tom and his staff the ability to pinpoint a single moment in time. The optical lattice clock uses laser beams instead of atoms to calculate the second. The light from the laser excites the strontium atoms and increases the accuracy of determination of time.
With The Quint’s exceptional calculation ability, Tom could capture moments within a zeptosecond, one trillionth of a billionth of a second, targeting specific areas of history or periods of time, with phenomenal accuracy. Projecting these moments into the future would allow them to move forward in time as well. Theoretically, at least.
That theory would be tested this afternoon.
Thomas White began his career as an actor. Several years later he found himself as an Artistic Director for a theatre in Los Angeles and the winner of several Drama-Logue and Critics awards for directing. As Tom’s career grew, he directed and co-produced the world tour of “The Teenage Mutant Ninja Turtles: Coming Out Of Their Shells”. The show toured for over two years, was translated into seven different languages and seen by close to a million children. Tom served as President and Creative Director for Maiden Lane Entertainment for 24 years and worked on many large-scale corporate event productions that included Harley Davidson, Microsoft, Medtronic Diabetes, and dozens of others. The Edison Enigma is Tom’s third novel following up Justice Rules which was nominated as a finalist in the Pacific Northwest Writers Association 2010 Literary contest, and The Siren’s Scream.
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